“Reflecting on the progress already made by people who walked before me gives me courage” - Lorato Palesa Modongo (Botswana) 3/5
/This is the third part of our conversation with Lorato Palesa Modongo, an African feminist and psychologist from Botswana.
In our series of conversations exploring intergenerational African feminist movement building, we have explored Lorato’s early feminist awakening (Part 1) and her education and experiences as a social psychologist (Part 2). In this part, we explore her thoughts and experiences in African feminist movements and spaces.
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We’ve talked about building the future we deserve and what that looks like for you. You're actively involved in different feminist spaces as part of the work you do. What has been your experience?
The experience is a myriad of emotions. I believe that the world can achieve positive change because we have seen it. Who knew that two black women right now can be sitting talking; two African women exchanging ideas? We can publicly share our thoughts and state our ambitions without fear of backlash. We go to school, we vote, and we run for political office.
So, I know that humans have the capability and capacity to change the world. That helps me when I feel tired and drained. Even in the moments when I feel disillusioned, and feel like there is no progress, reflecting on the progress already made by people who have walked before me gives me the courage that one day, hundred years from now, our work will matter. So that is helpful.
What does that recognition look like? Is it something that you do internally or is it also an external recognition that goes to those people who have laid the path?
Yes, it goes both ways. It's internal, with me constantly remembering and acquainting myself with the work that has been done before. It is also recognising even the voices that may not be legitimised as sources of knowledge. It is observing women in the villages doing the work and acknowledging that even when they don't name themselves as feminists, even when they don't name their work as feminist work, I'm able to see that this is actually it. That's the internal recognition.
The external recognition goes into something as simple as paying homage to their work and incorporating it in our own work to show people that what I'm feeling and thinking is not new. I may be articulating it in a different way, but it is not new. People have felt and thought about these issues, people have done work and you may have not seen it because of obvious reasons including a lack of documentation, which is why I'm saying that platforms like Eyala are very important. Nobody can come 50 years from now and say there was not a single woman documenting work in The Gambia when we can Google it and see that Jama Jack was doing the work. So that's why we're grateful for spaces like this. The external recognition also goes with the peer networks that we have, also acknowledging each other in our spaces.
You mentioned that your experience has been a mix of emotions. Tell me more about that…
We're human. We get tired, but it's part of the human experience, particularly when you interact a lot and you get exposed to the work, because not everybody gets into the work with good intentions. We have to acknowledge that each movement has its own wins and challenges. I think there is a disillusionment that sometimes comes and the question that says, “Is it even worth it? Why can't I just look at these things and ignore them like everybody else?”. Unfortunately, I'm not wired that way. I can't see poverty and ignore it, especially when I know that there's enough resources for all of us. So just that contestation, that disillusionment, that anger sometimes, that losing hope. But the beauty of it is that because of the community that I have built, we share ideas, and we reflect authentically and openly with each other.
What would you say has been a key takeaway from these reflections at your own individual level, but also as part of the community around you?
One of my really great friends, Iris, helped me so much. She taught me about rest as a deliberate feminist act of resistance. Capitalism demands for you to be exhausted so that you don't have any strength to fight anything anymore. You then tap out and there's nothing you can give anymore and the movement fizzles out. Then patriarchy advances and gains momentum. So, it's important to view rest as a form of resistance. Take some time out to go back to the source, to your why, to how we can collectively organise in different ways, but to also just rest and not think about anything.
I've realised that I love water bodies. They intimidate me but there's also something that is healing for me. So sometimes, my rest also looks like going to the beach, just going on a vacation to a country that has a beach and just being there. I'm minute, I’m insignificant in the face of all of this. But I'm also significant in that I can make a small difference.
And then lastly, I think it's just knowing that we would have tried. So, the activism work brings all of that. It's the anger, the disillusionment, the renewed confidence, the learning, the courage, and the loss also. It’s the grief because there are certain things that we lose in the journey, but it's also the collective grief.
What are some of the things you may have lost and are possibly still grieving or have grieved over as part of the journey?
I think it was some parts of myself. If I meet newer parts of myself, it means older parts either go or they’re rebuilt. There were some parts that had to go. I lost some friendships where maybe people would feel comfortable with joking about things like rape. I don't joke about it. So, there was a time that was painful because I felt like I'm constantly having to be a party pooper. It was painful then, but it's not painful now. There was a time I was hiding or diminishing. And I think I grieved for that part, because then I cheated myself. There were opportunities I could have gone after, but I didn't because I was shying away. And I'm sorry to that Lorato.
But there is also the collective grief in the sense that you see that women are being faced with this similar plight. You read about sexual violations, about rape, about their political ambitions, about this, about that. And you see that it's kind of the same, in the collective grieving. But the collective joy as well. Yeah, the collective joy…
Let’s talk about that! How do you make space for joy for yourself but also within feminist spaces that you find yourself in which can sometimes get really serious, really technical, but also very much rooted in anger?
You know, when we say there's so much power in naming things, I think it frees you. It gives you relief, and there's joy in that, because the tension of you feeling these emotions that you cannot package goes away. When you package them through words, you breathe, and there's joy in that. There's so much joy in being able to articulate yourself.
It is also the capacity to hold the bad and the good at the same time, and to say, what does justice, freedom, democracy, and joy look like for me? It is being able to dream about feminist futures and knowing that there’s joy in that imagination. It is knowing that I can share that imagination with my friends, and they can share their imaginations with me, and it is filled with joy. So, I think just being able to share that assists so much, but also just being able to read the stories of success.
I remember, in Botswana, one of the young feminists I look up to, Bogolo Kenewendo. She's a former Minister Of Trade and Investment in Botswana. She has always been doing a lot of social justice work, and she gave so much inspiration to a lot of us. She was bold, she was courageous, she was assertive. So even when she was selected as a minister, it didn't really come as a surprise. She's always done the work. And as a Minister, she was doing the work, articulating social justice issues, and there was so much joy in that; in that there was a young woman, and you were seeing the work that she's doing. So, when we're documenting and collecting voices, I think there's so much joy in finding that there is a thread that binds us. And we have now, and we will have the tools to somewhat challenge patriarchy.
In Part 4, Lorato shares her observations on the tensions that sometimes hinder progress, as well as possible solutions to bridge the gap. Read it here.